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BORDER CROSSINGS

Cinco Puntos
by Soll Sussman

PLANETA FORUM

EL PASO, Texas -- When Lee and Bobby Byrd decided to see if they could make a living on their own and started Cinco Puntos Press out of their home in El Paso 20 years ago, they didn't necessarily intend to become nationally known as publishers of a steady stream of bilingual children's books. They just did it.

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'When we started we assumed we were doing a literary press, because that's who we were,' Bobby said, as they settled in for an interview at the big table in their showroom/headquarters on Texas Avenue.


'We were sick of working for other people,' Lee said. 'We wanted time for ourselves to write ˆ which is not really how it happened.' Bobby Byrd is a poet and essayist, and Lee Merrill Byrd writes fiction.

When they started Cinco Puntos, both were working at Fort Bliss as technical writers. 'We didn't think of ourselves as anyone we would publish,' Lee said. Looking around for a suitable book to start their publishing house, they met storyteller Joe Hayes who told them about 'La Llorona.' They published it as a bilingual book, also known as 'The Weeping Woman.' More than 90,000 copies later, when they toss off their standard line about Cinco Puntos as the house that La Llorona built, they mean it.

BILINGUAL EDUCATION

Bilingual books were not as common 20 years ago as they are today, so publishing 'La Llorona' in a bilingual edition by Hayes was something of a statement. 'Since then, bilingual books have become accepted,' Lee said. 'Our bread and butter became children's bilingual books.' They describe the company as 'publishing great books from the U.S./Mexico border, the American Southwest, and Mexico.'

'Having an author like Joe pushed us into the children's arena,' Lee said. 'We just began to acquire more and more kids' books ... and we began to be more and more accurate about picking them.'

The emphasis on bilingual books and books about the border grew out of their location, of course. It also was a natural result of the issues that were of concern to them and the people who were their friends. 'We began to see that what we were doing was reflecting Hispanic culture,' Lee said. 'The great books more and more are those that reflect this world.'

In the same way, they started looking for young-adult books with Hispanic themes after hearing from libraries and schools that there weren't enough titles on the market for teen-agers. They now publish books by Benjamin Alire Sáenz, a writer on the faculty at the University of Texas at El Paso, as well as several other authors.

'We don't publish anything we don't like,' Lee said. Publishing each new book 'is kind of like having a baby, is what I tell people.'

'The difference is you're immediately pregnant again,' Bobby said.

Bobby clicked off a quick rundown of where Cinco Puntos' books are sold ˆ 30-40 percent to the trade (bookstores and other retail outlets), 60 percent to schools and libraries. They ship 60 percent of the books themselves, while 40 percent go through their national distributor. The retail space brings in about $1,000 a month (at full price and from a small table in the back of the showroom featuring close-outs and specials for $5 a pop), and they sell enough books through their Web site to keep it self-sustainable. They also work with local school districts to stage student workshops that give children a hands-on feeling for books and get them to think of themselves as publishers. Each student leaves the workshop with a book.

'We really try to encourage kids to be interested in literature,' Lee said Bobby said the workshops, which bring in $20 per student, developed after the economic downturn of 9/11 put Cinco Puntos in precarious shape. They realized that a very small percentage of their business came from El Paso, and the workshops evolved as one way to change that.

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'Cinco Puntos has become sort of a staple of El Paso,' he said. 'People are proud of it. We get a lot of publicity, locally.'

'There's probably a huge amount more we could do,' Lee said, but she admits that being social is not one of their strengths. 'We've spent so much time in the last 20 years building the business.'

Even with the early success of 'La Llorona,' the business and their own writing careers weren't their only jobs. Lee worked for eight years at El Paso Natural Gas, where she edited the company magazine, before headquarters moved to Houston. In 1996, she received a Dobie Paisano writing fellowship and realized that they had grown enough to be able to make it on their own. In 2005, they both were honored with Cultural Freedom Fellowships from the Santa Fe-based Lannan Foundation, which works to honor and promote cultural freedom, diversity, and creativity.

In addition to the titles for children and young adults, Cinco Puntos has built an eclectic catalogue of poetry, fiction, and non-fiction that features their key themes of the border and Hispanic culture. They have published two well-received anthologies of essays about the border, 'The Late Great Mexican Border,' and 'Puro Border: Dispatches, Snapshots and Graffiti from La Frontera' that grew, according to their description, from their 'frustration with the national media's myopic reporting of the border.'

There are seasons, though, when they don't publish any new adult books at all.

'Doing children's books is really an intellectually stimulating thing,' Bobby said.

For the first 15 years, they worked out of their home ˆ two homes, actually, to hold the whole family and the business ˆ in the Five Points neighborhood that gave the publishing house its name. They moved to Texas Avenue six years ago, and, always alert to the need for revenue, they rent out the second floor of the new building.

The comfortable but not overly fussy or fancy showroom suits the character of Lee and Bobby, who describes themselves as 'a couple of old hipsters.' 'Bobby's always saying that publishing has taken us on a journey of self discovery,' Lee said. 'We've been able to support ourselves. We were only intending to make a living.'


AUTHOR

Border Crossings is a series of features prepared by Soll Sussman who reported on Mexico and Central America as a correspondent and regional news editor for The Associated Press. He left for a stint as A.P. bureau chief in Toronto. Because his heart never really left Mexico City, he quickly came to his senses and moved closer to the Mexican border. He now is a freelance writer happily living in Austin, Texas.

Soll



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