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BORDER CROSSINGS

Texas Children's Books
by Soll Sussman

PLANETA FORUM

UVALDE, Texas - After deciding to organize a Texas children's story hour at El Progreso Memorial Library, outreach coordinator Nancy Feely ran into an unexpected problem when she tried to put together a lively display.

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Our Texas children's books were all checked out,' she said, happy to find out just how popular they are. 'I think everyone is always fascinated by Texas and Texas themes - whether you're from Texas or not.'

These days, due to a steadily expanding array of new and vintage titles, parents and teachers in Texas and elsewhere can keep children and young people supplied with Texas-themed children's books from infancy well into their Clearasil years.

National publishing houses, university presses, and regional presses are all contributing to the market. Helped along by computer technology, some authors hoping for sales and acclaim start on their own and publish their own books.

'There are more Texas books; Texas is a big market,' Susanna Nawrocki, manager of the Red Balloon children's book store in San Antonio, said. 'We have books about every nationality, about every ethnic group - and they're beautiful.'

Anne Bustard, author of a new picture biography of the Lubbock-born rock'n roller Buddy Holly, was a partner in a children's book store in Austin more than a decade ago. She also confirmed the expansion in the market for Texas books. 'We had a section of books that featured Texas, and it was very small,' she said. 'Now there are many more.'

Many Texas-themed children's books are available for sale at the Bob Bullock Texas State History Museum in Austin. The museum's gift shop features seven shelves of them, spreading out over two display areas. A simple softcover, 'I Know an Old Texan Who Swallowed a Fly,' (by Donna Cooner, illustrated by Ann Hollis Rife) is a good seller there, according to Shawn Goodnight, retail director for the State Preservation Board.

The book - a Texas variation of the standard children's song - takes a young reader through a progressive chant, from a fly to a toad, snake, bird, raccoon, steadily adding to the refrain, 'I don't know why he swallowed a fly.'

Mrs. Goodnight said most of the books on sale at the museum gift shop come from regional publishers.

Any book selected for the gift shop 'has to convey Texas history in an interesting way,' she said. 'They need to support the mission of the museum; we tell the Story of Texas.' Animals are popular, especially for younger readers, especially 'lots of armadillos.'

Susan Austin, an educator at Robb Elementary School close to El Progreso library, was one of the readers at the Uvalde story hour, picking 'Saving Sweetness' (by Diane Stanley, illustrated by G. Brian Karas) about an orphan's Western journey. She said Texas books have special resonance for children. 'That's a big part of learning, to make it relevant to their every day life,' she said.



In Uvalde, a South Texas community between Del Rio and San Antonio that prides itself on being the crossroads of the two longest highways in the United States (Highways 83 and 90, running from the Mexican border to Canada and between the east and west coasts), story hour is a regular attraction whether the tales are from Texas or not.

The dozen or so children at the story hour in El Progreso's new building sat mostly rapt in a semi-circle as they listened to the Texas stories. But youngsters don't have to be in Texas to learn about their heritage. Carey Fitzmaurice and her husband, displaced Texans living in Washington, D.C., are determined that their children grow up knowing they are Texans despite their East Coast surroundings.

'Bubba, the Cowboy Prince' and 'The Armadillo from Amarillo' are among the favorites at their house. Fitzmaurice said five-year-old Elijah and two-year-old Sam 'could recognize the shape of Texas as well as the Texas flag from early on.'

'Bubba' (by Dallas author Helen Ketteman, illustrated by James Warhola) is a fractured Texas takeoff of the Cinderella story. Bubba lives on a ranch with his wicked stepdaddy and lazy stepbrothers Dwayne and Milton until, helped along by his fairy godcow, he rightfully steps into his boot and rides off into the sunset with wealthy Miz Lurleen.

'The Armadillo from Amarillo' is writer and illustrator Lynne Cherry's only Texas book. he Maryland-based Cherry specializes in books that teach children about their environment, and, in this case, the title came first.

'The title just came to me - it's such a great rhyme - and then I wrote the book after coming up with the rhyme,' she said. Cherry extensively traveled around Texas to research her book about the armadillo that wonders 'Where in the World Am I?' and manages to find out by hitching an aerial ride on the back of a golden eagle.

At Texas State University in San Marcos, the College of Education has presented the Tomás Rivera Mexican-American Children's Book Award for the past decade. 'We've seen a steady increase in the number of books being published, and the number of Latino authors,' Ana Juarez, a faculty member, said.

The first year only a handful of books were submitted for the award, while more recently 40 or 50 titles come in each year. There is even talk of splitting the award, giving one for picture books and one for books for young adults up to age 16.

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In El Paso, Lee and Bobby Byrd started Cinco Puntos Press at their home in the city's Five Points neighborhood 20 years ago without intending to specialize in bilingual children's books.

For their first effort, they found an author, Joe Hayes, who proposed a book of the legend about 'La Llorona/The Weeping Woman.' More than 90,000 copies later, when they toss off their standard line about being the house that La Llorona built, they mean it.

'Having an author like Joe pushed us into the children's arena,' Lee said. 'We just began to acquire more and more kids' books and our bread and butter became children's bilingual books.' They started publishing books for young adults as well after hearing from teachers and librarians that there weren't enough books reflecting the reality of the Southwest.

One of their newest titles, 'Lucha Libre' is aimed squarely at fourth-grade boys with vivid illustrations of the Mexican masked wrestlers that San Antonio writer and artist Xavier Garza learned about when growing up in the Rio Grande Valley. They also publish a songbook in Spanish and English, Austin entertainer - Tish Hinojosa's 'Cada Niño, Every Child.'

The San Francisco-based Children's Book Press also picked a bilingual winner with Carmen Lomas Garza's memories of her Kingsville childhood. 'Family Pictures' has sold more than 400,000 copies nationally. 'If you know your history, you know where you stand,' the author and illustrator
said.

Texas Tech University Press in Lubbock has been successful with the series of 'Lone Star Journals' by Lisa Waller Rogers that take fourth to seventh-grade readers on adventures on the Chisolm Trail, to the Alamo, and the Galveston hurricane of 1900. To encourage young readers to write their own stories, the press publishes a matching blank diary, 'My Lone Star Journal.' Noel Parsons, the press' director, said Texas Tech mostly publishes books about Texas history. He and his staff are excited about a new book, Tim Tingle's 'Spooky Texas Tales,' that adapts Texas ghost stories for young people.

Some of the increased interest and activity in Texas children's books can be attributed to the activities of the Society of Children's Book Writers & Illustrators, which now has five regional chapters in the state. Julie Lake, an Austin writer who currently leads the Central Texas chapter, said the mentoring and networking the association provides is invaluable.

'This niche in the market has really grown,' she said. 'We're just a really big state, so that helps create a market. We've got a large built-in readership.'

While working as a writer for a Texas insurance trade association, Lake became interested in the 1900 Galveston hurricane disaster and wrote a historical novel for young readers, 'Galveston's Summer of the Storm.' 'I was just intrigued by that whole event,' she said. 'I hadn't really thought about trying to write a children's book.'

Her book was published by TCU Press in 2005. She finds the field of children's writing very competitive because of the modern distractions competing for kids' attention, from television to DVDs and videogames.

Bustard's first book was an alphabet primer called 'T is for Texas,' from armadillos to zillions of bluebonnets. A steady seller, it's one of several Texas alphabet books readily available. More recently, she approached 12 or 13 publishers before landing a home for 'Buddy: The Story of Buddy Holly,' her new picture biography (illustrated by Kurt Cyrus), at national publisher Simon & Schuster. She described it a Texas book 'with universal appeal' that is suitable for children from four to nine and older.

As with 'Buddy,' the number of compelling true-life stories in Texas has helped add to the number of Texas children's books available. Lady Bird Johnson inspired writer Kathi Appelt and illustrator Joy Fisher Hein to create 'Miss Lady Bird's Wildflowers' about how the First Lady changed America through her love for flowers. 'Wildflowers are the stuff of my heart,' the young Lady Bird says in the story.

'It was Kathi's idea,' Hein said. 'Because of my love of nature and flowers, she thought that I would be the perfect person to illustrate it. I've studied at the (Lady Bird Johnson) Wildflower Center.' She's proud that Lynda Robb, one of the Johnson daughters, has purchased some of the paintings from the book.

As El Progreso's story hour moved on, not everyone was paying attention to the Texas tales. Staff at the library's new building encourage activities and doesn't fret about noise. As parents and children started heading to the checkout desk with books to take home, Feely said she planned to start looking for more Texas children's books to add to the library's collection and keep more of them in stock.


AUTHOR

Border Crossings is a series of features prepared by Soll Sussman who reported on Mexico and Central America as a correspondent and regional news editor for The Associated Press. He left for a stint as A.P. bureau chief in Toronto. Because his heart never really left Mexico City, he quickly came to his senses and moved closer to the Mexican border. He now is a freelance writer happily living in Austin, Texas.

Soll



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