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Beyond the Gringo Trail:
A Conversation with Mark Mann
by Ron Mader

CONVERSATIONS

One of the best books of 2000, Mark Mann's The Gringo Trail, (West Sussex, UK: Summersdale Publishing -- distributed in the United States by Seven Hills Book Distributors, 1999) is a riotous mix of humor and scandal.

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How factual was The Gringo Trail? There were times I wondered if I were reading a novel instead of a work of non-fiction. Did this trip really happen?

It's completely factual. I wanted to avoid what I regard as a problem with many travelogues, which is that there is often no real story to them. An author travels, describes and returns, but there's no real development of story or character. This can make travel literature dull, even when it's well-written, because it is story and character development that holds the reader.

Obviously my narrative has personal elements which lent themselves to a more story-like treatment, but I also deliberately employed devices from fiction. But, as I said, it is definitely factual.

Would you write another novel?

Yes, in fact I'm talking about it right at this minute. But it probably won't be about South America. It's just a question of whether I can afford to - as you probably know, writing a book doesn't bring in that much money, and it takes a lot of time!!

After all these travels, do you have a favorite place in South America?

Probably Ecuador, although it's hard to put a finger on exactly why. I think because there's so much (scenic) variety - coast, mountains, rainforest - in such a small place. But I also liked Colombia a lot: the Colombians are probably the most fun and friendly nation in my experience. Particular places: San Augustin and Nabisumake in Colombia, Huarez and the Cordillera Blanca in Peru, Vilcabamba and the Oriente in Ecuador.

In this book, you and your friends consume a lot of drugs...

I mainly wanted to use the drugs for humour, although with the hallucinogens such as San Pedro I feel that these plants really open up important and meaningful areas of experience. The big problem with writing about drugs is to avoid being perceived as saying "hey, look how many drugs I've taken" because if you get into that sort of thing there's always someone who's taken more drugs than you - Hunter S. Thompson, for instance. Also, I didn't want to give the impression that South America is only about drugs, because it's obviously not - and the drugs are only a small part of the book, really.

How do you look upon backpackers?

I regard myself as one, just about. I think backpackers are probably, on balance and in general, more likely to interact with local people and spend their money locally.

The only thing I disagree with is the attitude of some backpackers that 'we're not tourists'. Of course backpackers are tourists, and the same issues regarding responsible travel apply to them. Just being a backpacker doesn't stop you being an inconsiderate idiot, if you're an inconsiderate idiot in the first place.

In particular, you probably noticed that there are few actual Latin American characters in the book. In fact, most of the people we met were other backpackers. The Gringo Trail is a book about backpacking and I deliberately wanted to portray this aspect of backpacking - the tendency of backpackers to stick together in hostels and not really to mix with the locals. The trip made me aware that, as a backpacker, you only engage with local people/life to a limited extent. It also led me to look for ways for travellers to go beyond that.

One episode of our trip which did seem to offer a greater level of contact with local people was our visit to the Cofan village in the Ecuadorean Amazon, described in Chapter 4, which was the first 'community tourism' trip I visited. You could say this visit was the original seed for Tourism Concern's Community Tourism Directory.

Can you describe the project or projects you are working on now?

I've just written the Community Tourism Guide which lists many community tourism projects. Right now we're urgently trying to secure some funds to pay me to manage the Tourism Concern website and to make the guide into an ongoing project. I've found that this sort of promotion is often very hard or even impossible for many poor communities, yet is vital if their tourism ventures are to succeed, so that's what we're trying to set up. And then there's the possibility of that other book that you asked about at the start.

In terms of promoting responsible tourism, it's easy to make a list of "what to do" and "what not to do" for travelers, but in your experience, what really works?

The bottom line is surely just to treat all people with respect. We need to remember that wherever we go we are visitors in someone else's community/country and we should behave as we do in our home country.

We wouldn't walk up to someone in our local high street (shopping mall, etc) and point a camera in their face, so why do we feel we have a right to do so just because we're in a poor country. Starting from a basic respect for people, the rest surely follows.

It's the general double standard we in the West apply to all human suffering and life - we'll spend millions on pet food and cosmetics but won't cancel Third World debt, and so on - and this double standard obviously extends to tourism. We tend to travel as if our enjoyment of our holiday is more important than it's impact on the people we visit, whereas it should be the other way around. Actually, the same applies to the environment - if we travel (and live) with genuine respect for nature and the environment, the specifics will surely follow.

There are a lot of questions I'd like to ask you and will no doubt pester you about in the future. One final question for this interview. In your view, what is the best way to evaluate a community tourism program?

It's very hard to draw up standard assessment forms and so forth because each tourism project has to be seen in the context of it's individual situation. Most communities that turn to tourism do so in response to some other pressure - perhaps an oil company trying to take over their land, for instance. Tourism, like any form of change, brings pluses and minuses and it's very hard to draw up a 'balance sheet'.

Also, some organisational structures work in some places but aren't suited for others. For instance, some communities benefit from working with a commercial tour operator, while in other cases the tour operator may be exploiting them. Ultimately, much depends on the good faith, honesty and competence of individuals. So really, the only way is personal, first- hand experience of a project over an extended period of time, and using one's judgement.

Mark Mann can be reached via email.


AUTHOR

Ron Mader is the Latin America correspondent for Transitions Abroad and host of the award-winning Planeta.com website.



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