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Placing Words (Review)
by Ron Mader

Highly recommended.

Book

Placing Words (MIT Press, 2005, 144 pages, $16.95) is a brilliant collection of essays by William J. Mitchell, MIT Professor of Architecture and Media Arts.


Subtitled "Symbols, Space and the City" this book addresses a variety of current and controversial topics -- from the Post 9/11 urban landscape to the questioning the necessity of flashy downtown office towers in an age of corporate websites.

Author of e-topia and another half dozen scintillating titles for information nerds, Mitchell has fashioned his latest collection of essays around headlines and pop culture fodder. Placing Words is insightful, colorful and fun.

The meaning of a message, says William Mitchell, depends on the context of its reception. "Shouting 'fire' in a crowded theater produces a dramatically different effect from barking the same word to a squad of soldiers with guns," he writes.

In Placing Words, Mitchell examines the ways urban spaces conduct complex flow of information. He explains how cities sort and organize information in a variety of circumstances -- from web-savvy readers downloading blogs in a wireless public space to conversations at bus stops.

EXCERPTS

Businesses are now discovering that their marketing and public relations purposes may now be better served by slick World Wide Web pages on the Internet and Superbowl advertising spots than by investing in monumental architecture on expensive urban sites. (pp 26-27)

The unattended farm stand, with its honor box to deposit payment for your fruit and vegetable purchases, is a site for local asynchronous interaction. Buyer and seller come to the same place, but they do not have to be there at the same time. In contexts where it would be unwise to rely so completely upon trust, vending machines serve the same purpose. (p. 80)

Mobility means that computers no longer establish fixed, specialized sites of learning. Instead, they enhance the potential of every sort of space to support intellectual activity. (p. 102)

The Cheers bar in Boston, models itself on its television twin, and it has been extensively franchised. Nobody knows your name in the real Cheers bar, though; you're a tourist. (p. 177)

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